Soluna Fine Art is proud to present Echoes in Between: Four Voices in Korean Abstraction, in collaboration with the Korean Cultural Center in Hong Kong. This exhibition explores contemporary Korean abstraction through the distinct practices of Ha Tae-Im, Seungtaik Jang, Kim Young-Hun, and Park Yoon-Kyung. While each artist engages abstraction through different visual languages, they are united by shared inquiries into color, layering, gesture, and space, revealing how meaning emerges in the subtle intervals between material and immaterial, presence and absence.

Ha Tae-Im’s paintings unfold in fluid bands of color that evoke rhythm, movement, and emotional cadence. In her ongoing Un Passage series, vibrant chromatic layers glide across the canvas, punctuated by deliberate moments of emptiness, allowing color to communicate beyond language. Resisting the rigidity of geometric abstraction, her works propose color as a vessel for psychological flow and human connection.

Seungtaik Jang inscribes time and presence onto the pictorial surface through an accumulative process of layering translucent paint. His Layered Painting series generates an inner luminosity that feels both physical and spiritual. Using a unique, custom-made wide brush, he condenses each brushstroke into a singular, decisive gesture, reflecting decades of discipline distilled into a search for essential, minimal expression.

Bridging tradition and contemporaneity, Kim Young-Hun merges Hyuk-pil, a classical Korean brush technique, with the sensibilities of the digital age. His continuous strokes traverse the canvas, creating rich textures with the leather brush. Kim’s Electronic Nostalgia series captures the invisible frequencies, vibrations, and emotional dissonance produced by the transition from analogue to digital life, translating them into dynamic visual rhythms.

Working with translucent silk and chiffon, Park Yoon-Kyung dissolves the boundaries between image and space, allowing the surrounding environment to blend into her work. Through vibrant colors and vigorous brushstrokes, Park reinterprets the traditional Korean letter painting ‘Munja-do’. Her layers of indecipherable letters and symbols convey the artist’s interest to explore timeless, universal values of communication, emotion, and human connection.

Echoes in Between: Four Voices in Korean Abstraction invites viewers to experience abstraction as a living field of resonance, not as a fixed form. Here, layers of time, gesture, and space converge to reveal the evolving essence of Korean abstract painting.