Gravity
Gravity
Soluna Fine Art is proud to present a group exhibition, ‘Gravity 重力’, with four artists based in Hong Kong and the Netherlands, including Rosalyn Ng, Tobe Kan, Uzine Park, and Zang Zong-Son. The exhibition will showcase a group of paintings and mixed media drawings of botany, still life, and landscapes that oscillate between abstraction-figuration, portraying liminal space between the mind and the physical world. ‘Gravity 重力’ will be on view from 25 November to 15 December, with an opening on 24 November (Thursday), 2022.
“I dreamed I was a butterfly, flitting around in the sky; then I awoke. Now I wonder: Am I a man who dreamt of being a butterfly, or am I a butterfly dreaming that I am a man?”
Zhuangzi (Chuang-tzu; 莊子)
The Butterfly as Companion: Meditations on the First Three Chapters of the Chuang-Tzu, 369 BCE to 286 BCE <Paraphrased from the original version>
The butterfly dream parable by Chinese philosopher Zhuangzi has deep roots in Taoist thoughts toward defining reality versus illusion, explaining that our awareness of happy existence and self-contentment can consciously transform the fixed reality. However, nature, the living system, is not free from chaos—when unpredictable plagues and earthquakes emerge catastrophically outside of our control. A butterfly, an organism most robbed of the power to inflict pain on others, cannot be romanticized for its only delightful aspects without considering its ephemeral life cycles of instability.
Precisely is why the concept of gravity may alleviate our perception of reality. Gravity is the fundamental life force that keeps all opposing principles shaping the environment into one seemingly orderly blueprint. The exhibited works are also portraying botany, flowers, trees, and landscapes composed of interdependent colors, lines, and shapes. However, although the viewers may expect to feel like they are looking at pristine and paradisal French impressionist landscapes, they also discover the deformation and erasure of visual properties that relate to the raw truth about nature.
‘Gravity 重力’ is an exhibition about human intuition that guides us to search for an alternate understanding of reality, like the viewers who envision the colors and forms as harmoniously balanced and conflicting at the same time when looking at the works.
Rosalyn Ng
Moon river, 2022
Pastel, charcoal, pencil on canvas
68 x 150 cm
Rosalyn Ng
Untitled, 2021
Pastel, ink, charcoal on paper
53 x 38 cm
Rosalyn Ng
Minor white, 2022
Pastel, charcoal, pencil on canvas
57 x 100 cm
Tobe Kan
Awake 14, 2022
Acrylic, colored pencil on canvas
24 x 30 cm
Rosalyn Ng
When the shades of night come, 2022
Pastel, charcoal, pencil, color pencil on canvas
57 x 100 cm
Tobe Kan
Awake 16, 2022
Acrylic, colored pencil on canvas
24 x 30 cm
Tobe Kan
Awake 17, 2022
Acrylic, colored pencil on canvas
24 x 30 cm
Tobe Kan
Awake 12, 2022
Acrylic, oil pastel on canvas
120 x 90 cm
Tobe Kan
Awake 18, 2022
Acrylic, oil pastel on canvas
120 x 90 cm
Uzine Park
Sound of sunset, 2022
Acrylic on canvas
53 x 45.5 cm
Uzine Park
There-winter, 2022
Acrylic on canvas
60 x 50 cm
Uzine Park
There-autumn, 2022
Acrylic on canvas
50 x 60 cm
Uzine Park
Energy of Alicante, 2022
Acrylic on canvas
162.2 x 130.3 cm
Uzine Park
Sound of spring, 2022
Acrylic on canvas
33.5 x 54 cm
Zang Zong-Son
High-key decision, 2022
Acrylic gouache on wood panel
50.8 x 40.6 cm
Zang Zong-Son
Tender Breeze, 2022
Acrylic gouache, crayon, graphite on wood panel
45.7 x 45.7 cm
Zang Zong-Son
This world is mine, 2022
Acrylic gouache on wood panel
60.9 x 60.9 cm
Zang Zong-Son
After a second chance, 2022
Acrylic gouache on wood panel
50.8 x 40.6 cm